I've heard that writers need to find a
niche and then directly address a niche-specific audience.
But in order to do so, the writer must first figure out who that audience is.
Each of us, of course, hopes our work will enjoy universal appeal, when more than likely it will attract one segment of the population over others.
With this in mind, one of my creative writing teachers gave us the following assignment:
But in order to do so, the writer must first figure out who that audience is.
Each of us, of course, hopes our work will enjoy universal appeal, when more than likely it will attract one segment of the population over others.
With this in mind, one of my creative writing teachers gave us the following assignment:
- Create a character who is your ideal reader--the one you imagine pulling your book from a shelf and thumbing through the pages you have written.
- Give the character a name; give us a picture of your reader and write a brief scene that shows him/her interaction with something you have written.
- 350 words.
Here was my response:
My
Ideal Reader
Lorna
bites her tongue and prays for patience. Each time she ventures into an
unfamiliar bookstore and asks the clerk to direct her to Visionary
Fiction, she gets the same response. A blank stare.
"Oh
you mean the Metaphysical section."
No,
Lorna thinks. I mean fiction in which the expansion of the human mind
drives the plot. But she nods. Guess Metaphysical will have to
do.
No
matter where she goes, she finds Paul Coehlo shelved under
Metaphysical, with nonfiction books on Wicca, astrology, and
self-actualization. These books have their merits, true, but Lorna believes
that Paul and writers like him deserve a section of their own.
No use asking for the author Lorna is specifically
looking for. Margaret Duarte is too obscure for that. Duarte's fiction
appeals mostly to Cultural Creatives such as herself, a subculture
equally obscure, invisible, and under the radar.
Lorna fumes at the thought. Duarte's stories are as familiar to her as her own face in the mirror. She likes the author's first person accounts of the mystical, psychic, and paranormal.
Lorna fumes at the thought. Duarte's stories are as familiar to her as her own face in the mirror. She likes the author's first person accounts of the mystical, psychic, and paranormal.
Duarte presents a third way, not a neutral center,
but a bridge to connect the end and the beginning. Her stores are like surf
crashing on rocks.
Lorna is an optimist, but hardly a Pollyanna.
Just because she likes reading about expanded mental abilities with an eye on
solutions rather than dysfunctional relationships and political corruption,
doesn't make her less valuable as a reader and consumer.
She takes the only copy of Margaret Duarte's novel
Between Will and Surrender from the shelf and places it dead center on
the table displaying the current best sellers.
It's time more people step into "the
between."
###
First, I imagine my future readers as
female (though I hope to attract male readers as well). After all, I write
about a woman's struggle for psychological freedom and her yearning to discover
a path based on meaning and purpose rather than income and security.
But then I
take it a step further and add an emerging subculture called Cultural
Creatives as my ideal readers.
A Cultural Creative is
someone who:
- Loves nature.
- Cares about self-actualization and spirituality.
- Wants equity for women.
- Wants to be involved in creating a new and better way of life in our country and our world.
- Dislikes emphasis on getting and spending.
- Likes experiencing and learning about other ways of life.
- Is optimistic about the future.
- Walks his/her talk.
- His/her sense of the sacred includes personal growth and service to others.
As an author, how would you describe your ideal reader?
Or, if you're a reader, how would you describe yourself and your preferred author?
As always, thanks for stopping by.

